Nuvia Crisol Guerra on “Domestic Disobedience”

Nuvia Crisol Guerra is passionate, well-spoken, well-informed and charismatic. It’s easy to see why she was chosen to be the guest-curator of such an important show focusing on the Latina experience: Domestic Disobedience, Redefining the Feminine Space.

It all started with an essay by Amalia Mesa-Bains, entitled Domesticana: The Sensibility of Chicana Rasquache. Nuvia said it so closely spoke to her own experience, that she knew she wanted it as the focus of the show.

Amalia Mesa-Bains’ essay speaks to the esthetic of Chicano art, how rasquachismo comes out of simple survival; in the home, their personal lives and in the studio. It’s using objects that they’ve known their entire lives – what’s been around them – in a new way.

Nuvia tells me about how growing up, her parents would grow plants in broken coffee pots or milk jugs, whatever they had. She tells me about visiting her family in Mexico and how they placed used tires to create a retaining wall. “It’s about using elements for something where they are not supposed to be used, because it comes down to survival and it’s then reflected in Chicano art,” she says.

Amalia Mesa-Bains’ essay includes the civil rights movement, the Chicano movement and the gender stratification that starts in the home. “I’m a visual artist and my work has always focused on the Latina experience and my personal experience as Latina, and the conflicts and challenges I’ve had, and the choices that I’ve made in having an education, getting married much later than my parents would have liked, and my choice of not having children,” Nuvia tells me.

Thinking about all those conflicts and challenges, I looked at other artists to see how they were resolving some of these conflicts, how it was coming out in their work.”

“Even though these female artists were involved in the Chicano movement, once it became about their home, they still had the challenges, had these roles they had to fulfill, and if they didn’t, a conflict was created with their spouses, within their family, and at times were too much to bare. This is not only amongst women of color, but all women artists.”

“All that has resonated with me as I decided to make art more, a bigger part of my life. It’s scary to think about becoming a sustainable artist and putting together all my skills to succeed and to do this as a professional career. Pretty much what I’ve learned … is that it’s at all costs,” Nuvia tells me.

Here’s a look behind the scenes of Domestic Disobedience with Nuvia at the San Diego Mesa College Art Gallery (Exhibition and artist details below the video):

Domestic Disobedience, Redefining the Feminine Space
San Diego Mesa College Art Gallery

Location: Art Gallery – D101 and Gallery Courtyard
Dates: March 15 – April 19, 2012
Hours: MTW 11-4 pm, Thursday 11 – 8 pm. Closed Fridays, weekends and school holidays.
Reception: Thursday, March 15, 5:00 – 7:00 pm D101 and Gallery Courtyard
Artist Panel Discussion: 7:00 pm in G-101
Artists Present: Ana Teresa Fernandez (SD), Carolyn Castano (LA), Sonia Romero (LA), Angelica Muro (SJ), Viviana Paredes (SF)

Exhibiting Artist:

Juana Alicia
Claudia Alvarez
Carolyn Castano
Ana Teresa Fernandez
Ester Hernandez
Delilah Montoya
Angelica Muro
Viviana Paredes
Isis Rodriguez
Sonia Romero
Amalia Mesa-Bains

posted March 13, 2012 by leahpeah. there are no comments on this post.
filed under: art,Art Process,interviews,san diego,San Diego Artist

Mend it Better Book Giveaway!

WE HAVE A WINNER

Thanks to everyone who entered!


Congrats, Jerusalem. I’m emailing you now.
xo









Want to win a copy? See below!

Kristin Roach has written this adorable book called Mend it Better. (Publisher, Storey Publishing) And I’m in it!

The book has full-page color photos and easy to read, step-by-step instructions:

I first met Kristin when I asked her to participate in a craft panel at Blogher in ’07 that I moderated. I wanted her to be a part of it because of her passion of reusing and finding new ways to look at waste and crafting.

Part of her creative journey, which she recounts in the book, is receiving many of her Grandmother’s sewing and craft supplies. It’s a beautiful story. I love how Kristin takes something like patching your clothing, which some people might find embarrassing, and turns it into something not only practical, but beautiful. Wear your patches with pride, indeed!

If you’re into sewing, great writing, inspiration and information, this book is for you.

Check out the Mend it Better website. Want to win your own copy? Leave a comment with your favorite color. Winner to be chose at random. Ends Friday the 16th at midnight, PST.

posted by leahpeah. there are 7 comments on this post.
filed under: book,give-aways,sew,snappy

San Diego Mesa College

posted March 9, 2012 by leahpeah. there are no comments on this post.
filed under: photos,san diego

Southwestern College Botanical Garden

posted March 7, 2012 by leahpeah. there are no comments on this post.
filed under: photos,san diego

San Diego Artist: Perry Vasquez, Part 1

(Posted at San Diego Union Tribune)

Yesterday I posted about Alexander Jarman, who is curating a show at the Southwestern College Art Gallery called More Real Than Life: An Exhibition of Contemporary Collage.

Today I’m focusing on Perry Vasquez, the gallery director, and artist in his own right.

Perry was nice enough to let me come to the Southwestern College Art Gallery to see the show coming together. It’s great to go see a show on opening night and view all the pieces, plumped up in the perfect light and showing off their party dresses, but there is something altogether fascinating to me about getting a behind-the-scenes look at the parts that make up the finished show. The nitty gritty, if you will. It’s enough to whet your appetite and make you hungry for opening night.

I’ve got another video coming of Perry, which I hope to post early next week, that focuses on his own work. The following video is a sneak peak into the upcoming exhibition, More Real Than Life.

SHOW DETAILS:

Thursday, March 8: Opening
Artist Talk for Students and Staff: 12 p.m., Reception 11-1
Public Reception: 6-10 p.m. Artist Talk 7-7:30 p.m.
Light refreshments provided

Southwestern College is located at 900 Otay Lakes Road in Chula Vista, California. Gallery hours are Monday-Thursday, 9-5

Exhibiting Artists:

Sadie Barnette, Based in San Diego, CA.
Mike Calway-Fagen, Based in San Diego, CA.
Troy Dugas, Based in Lafayette, Louisiana.
Lola Dupre, Based in Avignon, France.
Chris Kardambikis, Based in San Diego, CA.
Gordon Magnin, Based in Los Angeles, CA.
Morgan Manduley, Based in San Diego, CA.
May-ling Martinez, Based in San Diego, CA.
Arturo Medrano, Based in New York City, NY.
Jason Sherry, Based in San Diego, CA.
Joshua Tonies, Based in San Diego, CA.

San Diego Artist: Alexander Jarman

Alexander Jarman shows me his studio. He wears a tie and a sweater. His manner is quiet and professional and perhaps a bit reserved. At least until you get him talking about something he cares about: Art. Then, his face lights up and he becomes someone you’d like to pull a chair up closer to, and drink great coffee with, while he explains how William S. Burroughs and the dadaists were collage artists.

I got to experience one of Alexander’s projects he did with his sister and fellow artist, Savannah Jarman, called the Picnic Project. The Jarmans collected fabric and created a 1000ft picnic blanket, which debuted at last year’s Art Labs during the San Diego Art Fair.

Alexander’s studio is small and cozy. He’s a collage artist, so piles of snipped papers are everywhere. It’s a bit of a treat for your eyes, these pieces he puts together. Colors, images, shapes and logos you recognize, cut, arranged and glued together in new ways.

Alexander is curating a show at the Southwestern College Art Gallery which opens this Thursday night, March 8th (details below the video): More Real Than Life, An Exhibition of Contemporary Collage.

Thursday, March 8: Opening
Artist Talk for Students and Staff: 12 p.m., Reception 11-1
Public Reception: 6-10 p.m. Artist Talk 7-7:30 p.m.
Light refreshments provided

Southwestern College is located at 900 Otay Lakes Road in Chula Vista, California. Gallery hours are Monday-Thursday, 9-5

Exhibiting Artists:

Sadie Barnette, Based in San Diego, CA.
Mike Calway-Fagen, Based in San Diego, CA.
Troy Dugas, Based in Lafayette, Louisiana.
Lola Dupre, Based in Avignon, France.
Chris Kardambikis, Based in San Diego, CA.
Gordon Magnin, Based in Los Angeles, CA.
Morgan Manduley, Based in San Diego, CA.
May-ling Martinez, Based in San Diego, CA.
Arturo Medrano, Based in New York City, NY.
Jason Sherry, Based in San Diego, CA.
Joshua Tonies, Based in San Diego, CA.

posted March 6, 2012 by leahpeah. there are no comments on this post.
filed under: art,Art Process,interviews,photos,san diego,San Diego Artist,Union Tribune,video

Instagram, Ma’am (Jan, (most of)Feb 2010)

(I’m @leah7peah on Instagram.)

posted February 27, 2012 by leahpeah. there are no comments on this post.
filed under: photos

3 Comp Pans from Saturday Night

I have a soft spot for panoramic views and I took a few series of shots to create some the other night at La Jolla Cove. There are photo stitching programs out there to remove the harsh edges of comps and help unify the exposure and tone, but I really like the differences and choose not to use them, leaving things au naturale. Click on each to see the larger size.

posted February 13, 2012 by leahpeah. there are 2 comments on this post.
filed under: photos

Margot’s Birthday Birds

Margot had her birthday celebration at La Jolla Cove where all the cool kids and pelicans hang out.

posted February 12, 2012 by leahpeah. there are 2 comments on this post.
filed under: friends,photos

Golden Tree at Dusk or Let in the Light

When the sun gracefully bends down in the sky to about here

the most beautiful thing happens off my balcony. Before I show you that, let me back up in time just a bit.

When we first moved into this little condo about a year ago, we were in the middle of some very stressful family things. We were distracted and heavy with Life and it was such a stroke of Universe (can I use “Universe” that way? Yes? Good.) that Joe’s aunts owned a place that was becoming available right when we needed it. It made the entire process of trying to find a place so much easier. We just slipped in quietly.

I remember when we walked through, checking out the closet space and shower, looking off the balcony and thinking, yes, this will work. The balcony faced the busy street, but was insulated by large and leafy mature trees. The sound was muffled. You could hardly see the cars whiz by. There were flower scents heavy in the air and hummingbirds flitting around. I thought, as long as there are these trees here, I can stay here. I enjoyed the shade and comfort of those trees every morning and every evening. They created a little nest for me. Quiet, solitary.

Fast forward through time, because we can, to late summer, early fall. Perhaps September? One morning I woke to the sound of a chainsaw. Looking out the window, I saw men in orange vests suspended above ground, deep into my trees, chopping off bits here and there and large branches right in the center of the best, fullest tree, the one I’d come to count on as a buffer to the world. I was devastated.

The next day, as I drank my coffee and glared at the empty spot where the branches used to be and where now nothing but a barren trunk stood, I wished we could move. Immediately. I hated the cars driving by. I hated the increased dust that flew up to the balcony and into the house. I felt betrayed. I spent a lot of time not looking out the balcony doors.

Fast forwarding through time again, somewhere in late November, I noticed some green bits had sprung from the trunk. They were tiny bits of things, nothing like their majestic predecessors, but there they were, all the same. Green and alive and making themselves known. I was begrudgingly impressed with their will to live, but very slow to warm up to them. And then dusk happened.

I sat with my cup of tea and couldn’t tear my eyes away. The honey dripping light blazed the bark to a glow that almost made me cry, but to be fair, I’ve always been a sucker for yellows and browns. The color turned dark amber, and then within seconds, was gone. I didn’t realize I’d been holding my breath.

The days were short and the Dusk Tree glow lasted for approximately 47 seconds every evening around 4:30. I couldn’t wait and found myself finding reasons to be hanging around the balcony, waiting to see the light show. I busied myself at dusting the cd cases or talking to the houseplants. My Prayer plant (Maranta leuconeura erythroneura) Gracie, (who has always refused to do what she’s supposed to do: pray), and I have historically found ourselves at odds when it comes to air temperature. She’s a picky little thing, wanting no breeze whatsoever, while I prefer a nice flow through the house. We had a lot to talk about.

One particular evening, as the sun dipped low to right above the ocean, Gracie shushed me quiet and began to fold her leaves, doing exactly the thing that her genera is meant to do. The tree outside glowed amber and Gracie, one by one, brought each leaf up and tucked it away. I was quiet, of course, and meditated in my own way.

Early the next morning, I crept out to watch Gracie unfold and welcome the sun. The tree outside was not just a Golden Dusk Tree, it was also a beautiful Back-lit Green Glowing Tree in the morning. I sat on the couch with my coffee and pointed out to Joe how beautiful the light was just then. Yes, he said. No more words were required. Although, at this point, he might argue that me pointing out how beautiful the light is every morning and every night might be more words than are necessary.

Here is a composite of “our” tree:

posted February 11, 2012 by leahpeah. there are 2 comments on this post.
filed under: observed,photos,snappy,writing
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